Showing posts with label ding. Show all posts
Showing posts with label ding. Show all posts

Tuesday, 17 May 2016

DING GALLERY

As promised a Gallery in chronological order showing the #Ding Vessel Shape in Ceramics and Metal over the centuries
#chineseceramics #chinesebronze #ding #vessel #design #chineseart


NEOLITHIC



XIA DYNASTY

Yes these first two probably also developed to the gui and other shapes.


SHANG BRONZE



Spring and Autumn Period 



A traditional style ink painting.


Ming Dehua Ceramic Ding 

Finally DING as a word / character also referred to square vessels sometimes 


Or this 


Usually a Tripod of some kind though!


Downloading and Sharing High Quality Data costs money 
I would like to save money by acquiring an ipadpro to make better use of library and mall free wifi 






Thursday, 12 May 2016

DING CERAMIC VESSEL

#ding #chinese #ceramic #vessel #dawenkou #neolithic

A Neolithic Ceramic Vessel and a later bronze for contrast.
Clay before Bronze. There's a constant interaction over the centuries back and forth between clay and metal with Tang dynasty wine ewers influencing the shapes of the first teapots later! Then in the Qing elaborate forms  from archaic bronzes inspiring shapes rendered in clay and glaze.


Simple but elegant Neolithic Clay vessels such as this one are the ancestors of later ceramic and bronze tripods with ornate surface decorations. 
This bronze ding is Shang dynasty.


Though this shape is probably also ancestral of the gui shape too!


Next post  some more examples of ding over the ages.




Tuesday, 10 May 2016

DING VESSEL

A new sequence on #Tripods in Chinese Art starting with the #Ding #radical #hanzi #kanji


Copyright Julie Vaux 2016 

A note what I'm claiming copyright to is the combo of the radical with the card and png file and notes. You are welcome to share it for educational purposes but please include a link back to the blog or consider a paypal donation if you are a teacher or school?  I am also happy to be to arrangements to with textbook publishers if you want to pay use my material. In fact I would be interested in printing a collection of Technozi ?



Saturday, 20 April 2013

Ding Sequence Five

A love of the Archaic

The Chinese have their version of collectors mania the idea any old object is valuable. Realisticly antique bronzes are rusty containers but collectors insist that lovely green oxidation adds to the patina and aura of the antique.

We should remember looking at these that originally they were a far different color! Not GREEN!

One of the favorite subjects for the genre we call still life painting are the scholars treasures often a valued ceramic pot or an image of a table with ink and scrolls and brush rest. This 20th century Chinese painting shows two beloved antique bronzes the round and square forms of the ding.



 Here we have the irony of an semiantique depicting antiques?

Ding however are quite beautiful.

Soon I'll be discussing the jia zun jue and other chinese bronzes.

Friday, 5 April 2013

Ding Sequence One

Once upon a time Neolithic China had tripod ceramic  vessels


then bronze casting technology arrived in the Shang dynasty


Note the distinct shape two handles and three round legs much narrower than the cone legs of ceramic vessels. 

A note for those with no experience of working clay cones are easier to form by hand or wheel than narrow tubes .

Next the character used to write DING.


Tuesday, 2 April 2013

Ancient Chinese Bronzes



Ancient Chinese Bronze Artifacts have decorative embellishments that show a grand mastery of metal craft. We know that several shapes are derived from pottery forms and vessels but others seem to be evolved and changed as the ancient smiths increased their abilities and skills. Ceramic tripods also appear but never with this elaborate degree of decoration until molds were invented centuries later. 

My next series of Technozi will focus on these bronzes and related developments on jade and ceramics such as the replicas created during the Qing dynasty. 

Most these elaborate vessels ceased to be made perhaps because of a cultural change towards metal being used for statues and mirrors and bells and for  vessels  for temples and the court to be made of jade  clay or gold or silver.

It may be that natural copper arsenic alloys became harder to find and mine and that with the introduction of iron and steel it became easier to create tools capable of carving jade and incising patterns into gold and silver?


Personally I suspect the aristocracy became more and more obsessed with acquiring jade objects when the new sources in Central Asia became available as trade routes extended. We read of white AND green / blue  stone ware and porcelain being compared to jade not bronze.

One form that is still used today and often seen in temples to hold incense sticks is the square ding so perhaps some of those "ritual" vessels contained sand rather than wine or potions or meat offerings?