ITO JAKUCHU PLUMS AND CRANES
Plums are a traditional symbol of winter
Perhaps someone was feeding cranes as pets in a garden ?
Giving Ito the idea for this work?
ITO JAKUCHU PLUMS AND CRANES
Plums are a traditional symbol of winter
Perhaps someone was feeding cranes as pets in a garden ?
Giving Ito the idea for this work?
#Ito #jakuchu #white #phoenix
While Ito usually avoided painting dragons or phoenixes preferring birds he also created this masterwork
#Japanese #lacquer is an unceasing source of Delight
This is the lid of a tea caddy. Such exquisite craft and design !
Have a good Christmas people
#phoenixes # Japanese #ceramics
Here is an elegant example of 18thc. #japanese #ceramics showing how the Japanese took imported Chinese techniques and motifs and refined them further. I can think of some 18th Chinese Ceramics that seem to try to use every under and over glaze color with as much detail as possible to the point the figures become patterns whereas this Japanese work is restrained and elegant.
More phoenixes next time as they are this months post theme. Follow this series for examples of phoenixes on ceramics paintings lacquer and more.
#KanoTanshin #Kano #phoenix #whitephoenix #screenpainting #japanesepainting
In the 18th century in Japan there are several paintings featuring White rather than Five Colored Phoenixes. I suspect the reasons for this are printed books showing Phoenixes as outline drawings, imported chinese or other east asian monochrome ceramics, and the influence of minimal aesthetics valuing the concept of reduced colors.
Here's one example. This is the middle two screens of a six screen painting.
#Korean #phoenix #vase #ceramics #asianceramics #koreanceramics
This is not as elaborately detailed as some Chinese and Japanese depictions but it has grace and lightness and lines that curve with beauty across the surface of the vessel.
It really shows the beauty of using cobalt pigment in place of ink !
More phoenixes next time!
Hokusai's Phoenix Painting
#hokusai #phoenix
While Hokusai is best known as a print designer he did also paint !
I have shared this one before but as this is one of his lesser known works I wanted to share it so more people can enjoy it !
#inkmasters #ink #fankuan #chineselanscapepainting
One of the most famous ink landscape paintings in the history of Chinese art is this one by Fan Kuan.
I was once lucky enough to view a book that had a foldoutreproduction that was roughly the same size as the original scroll.
Lets just say the original is about 10 times or more larger than this image!
notice how mist and water move your eye across and down the image.
How the trees on top of the peak balance those below.
#ink #inktober #japanesepainting #pines #hasegawa
This time we're looking at a Japanese painting - Pine and Bamboo by Hasegawa Tohaku.
The image belwo is 2 sections of a larger work
Finally the contrasting but closely adjacent pine and bamboo branches above draw our eye right to left from light grays to deeper darker tones.
What can we learn from this about tones and layout ?
Or just enjoy the ink !
Follow me for more in my INktober Ink Masters series
ANOTHER INK MASTER - MI FEI
#mifei #ink #inktober #Chinesepainting
Why is this special?
It seems quite simple doesnt it to modern eyes used to seeing pointillist techniques in both Asian and Western painting but MI FEI was one of the first if not the first Chinese painters to use this technique of black ink and textures built up using dots not strokes! While other painters were suing minimalist sweeps of the brush Mi Fei concentrated on texture while still creating traditional S curve compositions using "empty" space and voids.
Join me for the next inktober Inkmaster post
#inktober #chinese inkpainting
For Inktober I'm focusing on Chinese and Japanese monochrome ink paintings.
This is a cropped closeup of part of Guo Xi's Early Spring.
An European painter might have chosen to emphasize flowers and green leaves but this is early spring in northern china and the artist choose to emphasize the first signs of spring as a change in structure with branches dotted and darkened by dots and strokes of black to show emerging growth but lighter grays used to suggest a middle ground and vegetation on the upper left.
Here's all of that same work.
Again the black ink creates tone structure and texture !
#inktober again so lets look at monochrome paintings this month
#Eisen #dragon
Lets finish off the Dragon series with this splendid Eisen Print !
#autumnmoon, #moon, #shinhanga
Actually I have no idea what time of the year this image was set but it shows a full moon and its Autumn / Spring moon next festival and its gorgeous Shin Hanga Print!
Here's wishing any and all of my viewers readers and followers an enjoyable festival!
Don't overdo it with those Moon Cakes!
That particular red hue was quite difficult to achieve. Reds from either copper or iron had to have special firings within certain temperature ranges. In addition to the perfect coloring of the glaze and the detailed complex painting whoever made the pot sprigged carved or molded a raised area for the dragons! # different artisans and technicians combined their skills into this exquisite vessel.
#dragons #sculpture
DRAGONS 3D - A medley
(in Asian sculptures)
Dragons don't just feature on Ceramics Prints and Paintings.
Here's some 3D imagery.
The Tibetans seem to have preferred their dragons speckled ?
though this pair are more like Chinese dragons but notice the distinct mountain peak motif!
Notice the use of blue and white in this Tibetan work. Bold and beautiful!
Let Us Consider Dragons
#dragons #chineseart
My next sequence of posts will be about Dragons - 龍
The image above is of a vessel created in the XuanDe Dynasty - an actual antiques and not one of the many modern copies and variants thereof.
However images of dragons appear thousands of years earlier.